In general
I have continued going to open mics in New York, particularly Big Night Out at the Broadway Baby Bistro on Wednesday nights (going there tomorrow) and the Algonquin Salon at the (yup!) Algonquin Hotel on Monday nights. The Salon has moved from the snug and warm Oak Room to the lobby (the Salon's original location), which is roomier but louder due to foot traffic and the lovely Grandfather clock in the middle of the room which always wants to add its voice to the mix every hour. But Mark Janas has returned from Hawaii to play piano, and his talent is quite a sight to hear...or something like that. Sight-reads like a mo-fo and can reinterpret any song you put in front of him to your liking.
I have continued to go on auditions for shows, although a lot of my time has been on the thought process of revamping my one-woman show of last year. Lunch with an old friend from UCLA (in that case, we're both old) brought up the subject of Producing (my friend looked at me in the middle of a conversation and said "Are you a producer? You talk like you're a producer." I sort of brushed off his comment with some feigned modesty, but after thinking a bit, I must admit I do have a producer's mind sometimes. Thinking perhaps of shooting for a late Winter/early Spring show, February or March or something. We'll see!
Tuesday, September 1st, 2008 - BMI AUDITION
So, Labor Day came & went. I rehearsed a bit of the day with friend/composer Brian Hobbs on three of his compositions, then performed them the next day at BMI for their musical theater workshop. It was odd to perform for a long table of people, their heads mostly buried in copies of photocopied sheet music, as I sang. But their heads bobbed along pleasantly as I sang, so I just enjoyed myself. This was Tuesday, and by Saturday I read on Brian's Facebook status that he was looking forward to starting the workshop in 2 week's time. Yay!
Monday, September 8th, 2008 - ALGONQUIN SALON
At the Algonquin Salon open mic, the theme (an inspirational word or phrase that spikes the imagination when choosing a song to sing) was "Home." I came in with one of my favorite home-themed songs, "A Quiet Night at Home" from "bare." I hadn't sung that song with a live piano for about 8 years, and it felt good to get into Nadia's mindset for the song once again, sitting on a short stool/chair and letting the chubby High School girl take over my physicalization. After singing, I got a lot of great feedback from my peers, and a lot of "Wow, that was great. What is that song from???" 'Course, I told 'em.
Thursday, September 11th, 2008 - SINGING WITH SISTER LISA!
The 7th Anniversary of 9/11/01
But, the day was not only remembrances and mourning. My sister, Lisa Rein, came in from San Francisco, crashed at our place, and then traveled with my husband to Tillie's Coffee Shop in Brooklyn for her New York debut. Lisa is a singer/songwriter/guitarist, which means she has two more talents than I.
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We all went out for sushi and drinks (cucumber sake anyone?). Lisa's good friend Spot had seen the show and came along - he's a digital artist/teacher who renders digital paintings made by "Electric Sheep, a cyborg mind composed of 60,000 computers and people mediated by a genetic algorithm." Not sure how it all works, but the screensaver is really cool.
Saturday, September 13th, 2008 - CONEY ISLAND TRIP
After reading about it in the latest issue of Time Out Magazine, I had
The Coney Island USA Film Program takes place in the middle of a big room of the museum
The screening was fantastic. I remembered the charm and creepiness of "Caligari" and how cool it was to watch a film classic like this. However, it was an added bonus to watch it with a large group of people (all quietly appreciative, by the way) with a great live pianist accompaniment. He played a jazzy soundtrack, making creepy strums of the piano wires themselves at appropriate times. When Caligari rings his large "audience grabbing" bell, a real bell was rung. Plus, at a particularly tense moment, the pianist let out a big "aaaah!" when the character on screen let out a yelp. It was all good, clean, truly old-fashioned fun. I had a moment watching the groups of extras wander through the carnival on screen, marveling at the fact that I was looking at the preserved images of people long dead. People who probably had little idea that 100-odd years later, audience members would still appreciate their work. That's the kind of art that lasts!!!
All in all, a great experience. A bit on the shady side, but a reminder that people had entertainment back in the "olden days" of the early 20th century.
Sunday, September 14th, 2008 - GETTIN' BACK IN THE HOOP SKIRT
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Monday, September 15th, 2008 - ALGONQUIN SALON PART DEUX
On Monday, I was able to show both my sister and my husband the Algonquin Salon. Lisa & I sang "Running By" and I grabbed the old chestnut "With Every Breath I Take." It was cool to show them the venue I had been going to for months, so at least they could learn where I go to every Monday night :)
Lisa left on Tuesday, and I continue on...more to come, and less time in between blog posts, I swear!
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